|
Nancy J. Walker : MA, BA, DipRSA (Christie's, London)
Nancy has 18 years’ European experience as a professional dancer, dance
reconstructor, choreographer and teacher across all major historical periods.
With both an MA and BA degree in Dance, and a Royal Society of Arts Diploma in
Fine and Decorative Arts she interprets the social context of the dance and its importance. She held positions of Professor
of Early Dance at the Royal College of Music, London, England for 9 years, and is currently Adjunct Professor of Dance History
at Gettysburg College and Adjunct Professor of Ballroom Dance and Ballet at Wilson College.
Artists in Education
Artists in Education are rigorously vetted to ensure the highest standards
of application and presentation of arts to school children via their normal curriculum. The concept is to make art a vehicle
for enhancing the everyday subjects that the children study, while at the same time exposing the children to an art form they
may not normally come into contact with during school time.
The Artist is retained for a minimum of a 10 day residency working with
the teachers to relate their art to the curriculum during normal lesson time.
Funding for the artist is shared equally between the school and the PA
Council on the Arts. Normally daily rates are around $250.00 depending on the artists being engaged.
For full details of the
scheme visit: www.pacouncilonthearts.org/aie/ or www.stARTSomething-aie.org
|
|
|
Nancy J. Walker, MA, BA, DipRSA
Year accepted - Re-rostered 2006
2009
Age Range for Residencies: Elementary,
Middle/Junior, High School, Adult, Senior Citizen |
|
|
Artist Statement: As a specialist in dance history, I use social and theatrical historical dance as a basis
to bring historical periods to life. The time periods that I cover are the Renaissance, Colonial, Regency, Victorian and Ragtime
eras (15th - early 20th centuries).
I have assisted in helping students make the all-important connections between
dance and the world in which it existed. It is my firm belief that the more connections students can make between their subjects,
the more meaningful their studies will be to them as well as opening new avenues for exploration.
The benefits of such a program are an understanding of the importance of good
manners, improvement in posture and deportment, an increase in body awareness and self-confidence, and a greater appreciation
of the past.
The culmination of my residency could involve a period ball or student dance performance for
the entire community utilizing all of the related subjects explored in the program.
I have extensive 18 years' international performing and teaching experience of
historical dance which has helped to develop a multi-cultural approach. I have an M.A. degree in Dance (specialising in Dance
History), a B.A. degree in Dance, and a Royal Society of Art Diploma in Fine and Decorative Arts from Christie's (London,
England).
My training has enabled me to inter-connect the entire spectrum of dance as a
continuum of social and artistic evolution from the early Renaissance to present day. As a dance historian I strive for historical
accuracy, and take responsibility for providing thorough historical research, a logical method in presenting the material,
and an orderly framework to enhance understanding and learning. |

The Civil War Ballroom
Nancy is regularly supported by her husband Jef as a Guest Artist (at NO additional
fee). Jef has extensive dance experience, both as a performer and instructor, coupled with a broad knowledge of the historic
context of each period. His portrayal of an historical gentleman embodies the characteristics of respected men of society
in each time period and as such provides a positive male role model.
Jef Savage, MBA, BSc.
Performer and Assistant Instructor of dance & history programs from 15th to 20th Century, 1989 – present
Guest
Artist for AIE Programs: St. Vincent de Paul School, Hanover, 2007, Civil War Dance; Chambersburg Area Middle School ,
2008 & 2009, Latin American Dances.
Resumes available on
request.
James Buchanan Senior High School Residency 2011
OVERVIEW James Buchanan High School will sponsor an Arts in Education program, hosting Ms. Nancy J. Walker,
an AIE Historical Dancer and Mr. Jef savage, Guest Artist, during April/May 2011. The School serves 9-12 grade students of
the Tuscarora School District. Mr. John Lum, a history
teacher at James Buchanan High School, wants to coordinate an Arts in Education dance program for his history students at
JBHS. He wants to cover 20th Century American History in a way to connect different types of dances and music from 1890 onward,
teaching the students important types of dances (charleston, swing, twist, etc.) that marked changes in American culture and
musical style.
The core groups will comprise of
the 9th grade American History. By using dance as a basis, Ms. Walker will help to bring the history and culture of these
important milestones in American history to life by inter-connecting with the students' 20th Century History curriculum.
By helping the students make more connections between their subject, the more meaningful their studies will be to them, as
well as opening new avenues for exploration, and a greater appreciation of the past and the multi-cultural contributions to
these decades.
Ms. Walker is a specialist in dance
history and has had many experiences in bringing history and diverse cultures to life to students. She strives for historical
accuracy, takes responsibility for providing thorough historical research, a logical method in presenting the material, and
an orderly framework to enhance understanding and learning.
Mr. Savage (Guest Artist) has
extensive dance experience, both as a performer and instructor, coupled with a broad knowledge of the historic context of
each decade. His portrayal of an historical gentleman embodies the characteristics of respected men of society in each time
period. Mr. Savage will not be paid as he is not an AIE rostered artist.
The culmination of this residency could be a student video, photo, and art record for other students,
teachers, parents, district administrators, local and state dignitaries, utilizing all of the related subjects explored in
the residency program. This would provide students with a record of their accomplishments.
OBJECTIVES All
residency sessions will include action, reflection, theory & application learning styles. The overall objective is to give students a complete immersion into the history, life & cultures
of the 20th Century using social dances as a basis to enhance their American History curriculum. The objectives for this residency program are for the students to be able to: • Explain the role of dance in American culture throughout the 20th C. •
Gain a better understanding of other cultures through their dances • Recognize ways that other disciplines are connected
to the arts • Participate in hands-on activities in dance, and related disciplines • Develop pathways
to connect curriculum and the world they live in • Recognize the influence & contribution of American cultural
diversity to the 20th C. • Improve posture & deportment through dance sessions • Increase body awareness,
spatial awareness and self confidence • Develop observation skills by exploring dance media including relevant film
clips, photographs, and related art • Develop a greater appreciation
of the past and its impact on the present.
SCHEDULE
OF EVENTS (1 Planning Day + 10 day Residency)
Planning Day - Meeting with Mr. John Lum & 9th grade teachers, School Principal
& other members of faculty. 20th Century Day
1 - Becoming a World Power 1890 - 1910 • Grande Marche, Two Step Day 2 - Becoming a World Power continued (1890
- 1910) • One Step, Castle Walk & Novelty Animal Dances, Eva Three Step Day 3 - WW I - 1910 - 1920 •
Early Tango Day 4 - The Roaring Twenties 1920 -1929 • Black Bottom, Charleston Day 5 - Great Depression
& New Deal 1929 - 1939 • Big Apple, Foxtrot Day 6 - WW II 1939-1945 • Lindy Hop Day 7 -
Cold War & the American Dream 1945 - 1955 • Merengue - Latin influence Day 8 - Civil Rights Era (1955-65)
& Vietnam War Years (1963 - 1973) • The Roach, The Twist, The Freddy Day 9 - Years of Doubt 1973 - 1985 • Hustle, Sat. Night Fever Line Dance Day 10 - Entering a New Millenium (1985 - present) • Modern Waltz
CORE GROUPS
This will consist of 3 groups comprising of all students of the 9th grade American History Class. ADDITIONAL WORKSHOPS : World History and Art Classes Day 1 -
15th Century Burgundian Basse Danse Day 2 - 16th Century Branles, Italian Renaissance Day 3 - 17th Century Olde
Measures, French . Noble Style - minuet Day 4 - 18th Century English Country Dance, Allemande Day 5 - Victorian
Soldier's Joy, Danish Dance Day 6 - Edwardian (1890-1910) Grande Marche, Two step Day 7- Ragtime One step
& Novelty Animal Dances, Eva Three Step Day 8 - WW I Early Tango Day 9 - 1920's-40's Charleston, Big
Apple Day 10 - 1950' - 60's Latin Influence - Merengue
EVIDENCE OF STUDENT INVOLVEMENT IN THE CREATIVE
PROCESS
The Core Group and Workshop students will be
able to express themselves creatively through the steps, rhythms, style and interpretation of the music of the dances throughout
the residency.
TEACHER/STAFF INVOLVEMENT/ OTHER STUDENTS
GROUPS Artist will meet with other teachers during Arts In
Action meeting/s to explain the availability of additional dance and related disciplines workshop opportunities to other student
groups for each day to enhance their particular curriculum.
COMMUNITY
OUTREACH / PARENTAL INVOLVEMENT Session Invitation. Since the sessions will be held during school time, only parents, teachers, school district
officials and local and state officials will be invited to experience or observe the sessions. Media Coverage. A press release with photo will be submitted to
the local newspapers and District newsletter describing the residency activities. A press release with photo will be submitted to the local newspapers
and District newsletter describing the residency activities. Local
press will be invited to cover some of the sessions with videography, still photos and articles.
FACILITIES / SUPPLIES Stage, gymnasium or other similar
large space Photocopier Basic art supplies
EVALUATION / FOLLOW-UP
• Student written survey of Core and Workshop groups. • History Core & Workshop
Teachers' written survey.
|